2026 is loaded with visual effects tentpoles across genres. Here’s a rundown of the trailers worth watching this year, with a focus on what’s happening on the effects side rather than just the plot.
Sci-Fi
Project Hail Mary: March 20, 2026
Based on Andy Weir’s novel, this one stars Ryan Gosling as a lone astronaut on a mission to save Earth. It’s shaping up to be the biggest space movie of the year, and the trailer leans hard into practical-feeling zero-gravity and spacecraft work.
Masters of the Universe: June 5, 2026
Reported at a $170 million budget, mostly driven by VFX demands. Expect large-scale space battles and He-Man’s sword-powered transformation sequences. Jared Leto, Nicholas Galitzine, and Idris Elba star.
Horror
Godzilla Minus Zero
Set two years after the first film, in 1949. Writer-director Takashi Yamazaki, who also handles VFX himself, is back, and the first teaser shows the kaiju stomping past an American landmark. Worth watching for anyone interested in how a small VFX team tackles a giant-monster movie.
Backrooms
Notable mainly because it’s directed by Kane Parsons, a 20-year-old VFX artist making his feature debut off the back of his own viral Backrooms YouTube videos. Backed by A24, James Wan’s Atomic Monster, 21 Laps, and Chernin Entertainment.
Fantasy & Adventure
The Odyssey: July 17, 2026
Christopher Nolan’s first fantasy film, adapting Homer’s epic. Matt Damon leads an ensemble that includes Anne Hathaway, Tom Holland, Zendaya, and Charlize Theron, facing a vengeful sea god, sea monsters, and a cyclops along the way.
Ramayana – Part 1: November 7, 2026
An Indian mythological epic with VFX by DNEG and a score from Hans Zimmer and A.R. Rahman. One of the more ambitious non-Hollywood VFX productions this year, including a flying-elephant battle sequence.
Wildwood: October 23, 2026 (UK)
LAIKA’s next stop-motion feature. A good counterpoint to the digital-VFX-heavy releases above, worth a post on its own about how stop-motion and digital effects blend on a LAIKA production.
Also Worth Watching for Scale
Avengers: Doomsday – December 18, 2026
Not a VFX story yet on its own, but the marketing rollout is notable: Disney tied early footage releases to Avatar: Fire and Ash screenings, using one blockbuster’s VFX spectacle to sell tickets to the next.
More breakdowns to come as trailers drop through the rest of the year. The latest one we covered is the Street Fighter movie trailer.





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